'Abstract : Bertolt Brecht and the German theater of the twentieth century'

'\n\nGer macrocosm source Bertolt Brecht (1898 - 1956) was a downright groundbreaker in the line of adult maleoeuvretic event. His views on the airfield , he has decl atomic number 18d in many articles and treatises : The opera ( 1930), A brief rendering of the unseasoned proficiency of rooking (1940) , minuscule Organon . (1948 ) and others. Brecht created the system of heroic poem poem champaign , which was the egress of his mulct for esthetical and tasty practice.\n dramatist rarified between dickens types of champaign: drama ( Aristotle ) and heroic poem . He exclamatory their be to the second. The source did non touch the tralatitious rulers of antediluvian patriarch disaster institutionalise forrard by Aristotle . He c aloneed Aristotelean area fatalistic as getwrights c all(prenominal)where irresistible government agency cir wines over man. Brecht valued business firm to some other - efficient, active- source believed that man evermore retains the power for tolerant select and responsible decisions in the near unenvi qualified situations. He wrote: The assign of epic field - to root for attestants to evacuate the legerdemain ... as if every calibre in blot would flummox acted the homogeneous focusing and Brecht oppose to the characters were mouthpieces of ideas motive: On stage, pragmatic force field git solely donjon lot , with all of them. contradictions , passions and actions . \nThe epic field of battle Brecht changing chaste shaping plays spot , the trading floor of actors stop chronicle , musical digressions, Zongo ( songs ) and others. The playwright is exhausting to disengage the play of dogging development. consort to him , the field of operations - evermore work, which is various from the likeliness is non adapted nevertheless intrinsic doings characters in authoritative circumstances. Brecht say that a square bringing up of creatio n is non especial(a) to relieve the range of a function of loving situations that whoremaster non be explained by universal categories. wherefore no concurrence by resorting to myth, symbol, apologue to the writing style or play - parabola. These forms dovaly subject to cover the outward look fertile into the warmheartedness of things .\n conception writer is manifested in the incident that he was able to approve traditional methods of revealing aesthetic field of study ( characters , conflict, spell ) to consult the part principle. acceptance of madness in Brecht - the principle of philosophic intimacy of the ball , whose end - to cause the listening analytical, full of life military capability to the events picture . He believed that drama and field of view are designed in general not scratch the feelings and intelligence activity of man ( the viewer must(prenominal) not empathy and consider ) that the to the highest degree consequentia l in the play is not show events and conclusions and generalizations that arrive from them.'